the aether entertainer staff blogs



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scarletta vendetta

I'm Scarletta Vendetta, based out of Aether on Midgardsormr, where I've lived since 2.0. I am the founder of The Aether Entertainer and runner up on season 1 of Eorzea's Got Talent! I've tried to stay involved in the (FFXIV) publishing scene as much as I can, especially when it comes to charitable causes, entertainment, or Eorzean pop culture. I even did a stint as a columnist and event manager for Eorzean Illustrated Magazine and held a position as executive editor at Lodestone Magazine. Nowadays I am most active in the writing and RP scene, but I also enjoy end game raiding, working at AE Cafe, and performing as a bard a few times per week.




© the aether entertainer 2024. all rights reserved.


Eorzea's got talent season 1

Each grueling minute felt like an hour. The numbers ticking upward of close to 100 votes each. 89….then 89….91…then 91. Tit for tat each column ticked higher. First mine, then The Omni’s. I couldn’t bear to watch the poll anymore. (/sweat) I buried my face in my sleeve. Then DJ Yam’s voice rang out over the stream, “The Winner of Eorzea’s Got Talent is…”

Recently, my raid team decided to go on hiatus and I had been looking for new ways to fill my time. I had started barding last year for a few venues such as Skald’s Hall and The Solstice Equinox and figured I could get back into that so I put out a couple of ads looking for a few places I could play at weekly. I actually had a reasonably difficult time finding a good fit before settling on Wisteria Brewery, The Nest, and A Cat’s Terrace. As a solo bard, you can be easily overlooked for not being unique enough. Now let’s be clear, I am just your typical garden variety Gridania Aetheryte bard; I have no background in music theory, I don’t create my own music files, I don’t have a band, and I certainly never considered that I stood a chance of winning Eorzea’s Got Talent.Eorzea’s Got Talent was something I decided to do on a whim. I happened across DJ Yam’s post for the show on Twitter. There was a video clip attached showing Yams comically summoning bards to Shirogane and judging each of their performances. The video transitioned into Yams laughing and singing along before addressing the viewers to make a casting call for the official production of Eorzea’s Got Talent. Furthermore, there were limited participation slots available (30) and the winner would take home a sizable jackpot of 100 million gil. I was so taken aback by the idea I signed up immediately.However, when Onuka invited me to the EGT planning channel, I quickly realized how in over my head I was. It was packed with some of the most talented and influential musicians in all of Eorzea including Wren Darkcloud, Moogle Troupe, Moonswhisper, Traveling Strings, and my personal rock idol, Eltana just to name a few. I was so intimidated that I nearly backed out. Not only was this the most star studded lineup of bards I had ever seen, initially, I was also the only solo performer on the docket.After going over the rules, my first task was to designate three song choices. For our performance, we were given three minutes in the first and second rounds, and for the final round, we were given five. At first, my primary concern was just not choosing a song that was created by one of the other competitors! I had an aspiration that DJ Yams would sing my song on the stream, so I wanted it to be something that people knew the words too. I also wanted to choose songs whose Midi files sounded clean on the guitar, my go-to instrument… and considering I am a bard who is limited to publicly available files, I didn’t have a lot of options. I was really focused on the first round because I felt that was where my journey would end. Ultimately, I decided on Bowling for Soup’s 1985, a Midi file that was created by Skynyrd Fraefolgwyn, another talented midi editor, but one who was not competing that night. For my other song choices, I landed on Simple Plan, I'm Just A Kid by Nozomi Tenma, and Muse Starlight by A’two.I honestly couldn’t tell you exactly where the idea to parody these songs came from, but I think it was likely to do with me feeling a bit of grief over losing my raid team. This might seem weird to you, but I’ve been playing FFXIV since the day A Realm Reborn officially launched and have accumulated over 10,000 hours of playtime. I’ve always had a raid team, so being without gave me a void to fill. I was practicing tone-changing the guitar in 1985 for the show when I just started singing out loud about the ‘good ole days’ of FFXIV. The song became about Selene because I am a healer main and I remember when Selene was considered the ‘DPS’ fairy. So Selene’s grief is also my grief.When you are passionate about patches passed, writing the lyrics is the easy part. There was a good bit of technical drama I had trying to get the lyrics to appear on screen. I don’t have the most powerful PC and there are blocks built into the MIDI player that prevent single bards from singing lyrics (meant to reduce chat spam) and I needed to find a workaround for this performance. I reached out to the admins in the Bards and Bands Discord who helped me get it working. Huge shoutout to Kalle, because without their help I definitely wouldn’t have had any lyrics.I was so nervous the day of the show that I arrived in Marlboro about two hours early. The zone was filling quickly, and even an hour before the show began there were already shouts to dismiss minions. DJ Yams, the coordinators, and many of the other performers were already at Mih Khetto’s Amphitheater setting up, practicing, and socializing. Watching everyone didn’t help my nerves at all, because while I did manage to get things working, my setup was still relatively unstable. As the proceedings started, DJ Yams' electrifying energy was conveyed over the live stream. The first group began to perform and the zone absolutely lit up. It didn’t take long for DJ Yams’ stream to reach an astounding 700 viewers and make it to the front page of Twitch. I was nervous, so I slithered off to a remote location in the zone to test the lyrics to my songs.“Ladies and gentlemen, give it up for the wonderful and amazing Scarletta Vendetta who is coming in hot with Bowling for Soup’s 1985,” rang out DJ Yams.

Only I didn’t come in hot at all...
I took the stage, introduced myself, held my breath then hit ‘play.’ Instead of lyrics, a loud whammy sound shrieked from the guitar and my MIDI program promptly crashed. I exhaled trying to maintain composure. I knew that the coordinators allowed us 60 seconds for technical issues. Shaking, I reopened the MIDI player and quickly started ticking the appropriate settings. The crowd was uneasy. Someone shouted “ENCORE” and I felt like I was going to pass out. I was literally having the equivalent of tomatoes being thrown at me and it was a horrible feeling. “Pray tell, Scarletta?”
I wasn’t even 100% sure that the settings were correct. I wasn’t sure if the lyrics would work, but I was so mortified and desperate to get off the stage so I hit ‘play’ again.When the opening notes played I felt a wave of relief wash over. At least now I was going to play the song. When the lyrics started, the stream chat exploded. I had it muted but it looked as if Yams was shouting. The in-game chat was going off too. While I did notice the crowd’s reaction, I was numb from the near miss and trying hard to focus on timing the tone changes of the guitar. It wasn’t until I got off the stage that I realized the impact of my performance. I cried when the vote came in, which pressed me on to round 2.Round 2 is where the competition started to heat up. My gimmick was the same. This time I didn’t have any technical issues and I felt a warm welcome back to the stage. I cruised through my performance of ‘I’m Just A Bard” with a similar reaction from the crowd and my friends told me that DJ Yams even sang out part of the song! It was at this moment when I realized that the vote count didn’t matter. I already felt like a winner. At the end of the round, I found myself in a back-and-forth vote battle with The Omni, a talented and established sextet who is known for their original compositions and being a mentor to other bard bands. I clenched round two by a single vote. I would meet The Omni, who received a well-deserved Golden Buzzer from Yams, back in the final round.The last round was a spectacular climax to an unforgettable night. Before going into the 3-way showdown between myself, Moonwhisper, and The Omni, we were entertained with a guest performance by Patrick Bates, a phenomenal musician who plays music in-game while also singing on stream. Moonwhisper threw down an amazing cover of Black Hole Sun, I laid it all out there with my Muse cover about the Warrior of Light, and The Omni blew the roof off the amphitheater with an all-original composition.As the votes soared and the tension mounted in those final moments, I found myself in a neck-and-neck battle with The Omni, with each vote column ticking higher, almost agonizingly so. Each grueling minute felt like an hour. The numbers reached upward of close to 100 votes each. 89….then 89…91…then 91. Tit for tat each column counted higher. First mine, then The Omni’s. I couldn’t bear to watch the poll anymore. (/sweat) I buried my face in my sleeve. Then DJ Yam’s voice rang out over the stream, “The Winner of Eorzea’s Got Talent is…”THE OMNI.

In the thrilling conclusion of Eorzea's Got Talent, The Omni emerged as the well-deserved winner, taking home the coveted title. I can’t help but admire the incredible talent displayed by The Omni, Moonwhisper, and my other fellow contestants. While the night didn't end with me being crowned the winner, I want to express my heartfelt gratitude to all who supported me. It was an incredible honor to share the stage with such extraordinary musicians and be part of a competition that brought the FFXIV community closer together. I'm genuinely touched by the warm reception my performances received, and the camaraderie I felt backstage made this experience all the more special. Congratulations to The Omni! Until we meet on stage again, my friends.


written by: scarletta vendetta
september 18, 2023

Soul Sacrifice: Tone Mode Guitar

Ever since I was a young girl I was obsessed with solo guitarists. You know the look… Standing center stage, a bead of sweat pouring from their brow as their fingers maniacally dance away over the strings. When I first discovered performance barding, I would give a Soul Sacrifice to recreate the iconic look of Jimmy Hendrix, Eric Clapton, or Carlos Santana in FFXIV. So suave. I’ve been solo barding as a guitarist in the game for over 2 years now, playing at venues, festivals, and aetherytes across the realm. I play in a bard band, Midnyght Morning, and I edit my own midi files to my liking. And while I still wouldn’t consider myself an expert bard or midi editor, I have recently discovered a cool technique that has elevated my guitar performances.

This ‘trick’ allows a person to change tone throughout the entirety of a song, across multiple tracks. When you do this, it gives you a full sound more akin to a small band, listeners can more easily discern the different tracks in the song, and it also allows you to harmonize with yourself; a feat not so well done on other instruments.Now, I have no wild ideas that the in-game guitar sounds even remotely close to a real one. However, love it or hate it, guitar is by far the most dynamic instrument we have available to us and, in my opinion, the only instrument a solo bard can use to feed their Appetite For Destruction. So, are you ready to rock?

To start off, we will load up Midibard as our music playing program, which is a requirement for the technique I am going to share below. You will notice that my chosen song actually has 3 tracks; one for each of the different guitar tones I will be using. Since I discovered midibard could do this, I’ve begun editing all my solo midis this way; with 2-3 tracks. (You can certainly do this with fewer tracks, but I’ve found that the game doesn’t handle playing anything more than 3 tracks well for a soloist.)During the editing process, I give the vocal track priority to the overdriven sound, rhythm track typically goes to the clean guitar sound, and bass is usually assigned as chords. I like my tracks to have a hard rock sound, and I like them to be a little muddy, but you can adjust your arrangement to your own preferences. I find that Bard Forge is an excellent tool for quickly editing tracks down or merging them together.

Once you have your song ready, start by selecting all of the tracks in midibard. In the settings, ensure that “Tone Mode: Override by Track” is enabled. Hit play and let the concert begin!


written by: scarletta vendetta
July 23, 2024


Josiff Cujoh

My name is Josiff Cujoh, and I'm a White Mage hailing from Famfrit since around patch 6.3 (shockingly short time, I know). I participate in several different activities/communities within Final Fantasy XIV, including raiding, barding (as both a soloist and a guitarist for the band Midnyght Morning), crafting/gathering, RP, and of course, writing for the Aether Entertainer. I wouldn't necessarily call myself a master of any of those things, but I enjoy having a variety of ways to spend my time in Eorzea.




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Ivelios Gazeden

Ye reached the work space for one Ivelios Gazth'den, AE staffer, information broker, Mor Dhonan swamp rat and resident trouble maker! Got a little dabbling in everything from photography and editing, to mod creation and running content, and between community work, adventuring with me husbands, and the Free Companies under me management, expect no consistency in what I write about here!




© the aether entertainer 2024. all rights reserved.


tek izzy

Since 2.0 I have been tek izzy of Gilgamesh. I listen to almost every kind of music and am constantly on the hunt for new and more so send me your favs. I also play FFXIV too much, specifically, in order of what I like to do the most: raiding, crafting, gathering, pvp, and achievement chasing. On top of that I like to take photos of all the beautiful people and places in Eorzea and write about things in this community that inspire me.Jae Silverthorn of Halicarnassus is my alt.




© the aether entertainer 2024. all rights reserved.


tek Talk: Growth Mindset

Intro: The case of Cameron Mott
At age nine, Cameron Mott’s seizures were life threatening and brain damaging and unyielding. After multiple brain scans, doctors could see the damage being done to the right side of Cameron’s brain. With little hope, a plan was pitched by Cameron’s doctors to her parents: let us remove the right hemisphere of Cameron’s brain. Dr. George Jallo’s neurosurgery team at University Medical Center in Baltimore, performed the surgery. Post-surgery, no longer having the right hemisphere of her brain, Cameron was paralyzed on her left side. This was not a particularly surprising symptom because we do know the halves of the brain control the opposite side of the body. The surprise came a few weeks later when, after healing and physical therapy, Cameron walked out of the hospital and went home with her family. She resumed the normal life of a little girl. The only visible evidence that anything had happened to her was a brace on her left leg. There was loss of peripheral vision as well. Cameron has a normal range IQ and continued in a normal school setting.

Brains are amazing things!

When we use our brains, which I suppose is always since they do not have an off switch (no matter how much I wish for one), one of three things happen. Our synapses fire and we either strengthen existing neural pathways, connect multiple existing pathways to each other, or create new pathways. Brains are not a static organ like a kidney that remains unchanged our whole lives and just performs its function. Our brains can grow. In other words, we can learn things. Doing the same thing, day in and day out, does not grow our brains. We are not all born with the same brain, but every brain has immeasurable potential. Who can say what you can and cannot learn? It is only the choices and opportunities in our lives that dictate the answer to that.


What are things a person with a fixed mindset tells themselves?

  • I want to avoid making mistakes.

  • What I am doing is good enough.

  • Skills and talents are inherent, so there are things I just cannot do.

  • I do not need to listen to feedback or criticism.

  • Putting in a lot of effort is something that you only do if you are not that capable.

What are things a person with a growth mindset tells themselves?

  • Mistakes are ok because they are lessons.

  • Is this the best I can do?

  • There might be a better way of doing this.

  • Success comes from effort even if it takes time.

  • I will not give up.


Which mindset we are is not static. We slide back and forth between the two on a spectrum every day with everything we do. My goal is to stay on the growth half of the spectrum as far as I can push myself to the edge with new challenges and not allow myself to say that what I do is good enough. It never is!


written by: tek izzy
July 26, 2024

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Aya Minn




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Sayoko Kurone



Discord @ catrincalamity


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